Om Shanti Om

Some films take themselves very seriously and some take themselves too lightly. Om Shanti Om is an anomaly of sorts; it gets too serious in taking itself too lightly. Doesn't make sense? Well..yeah..even the 17 odd reels of Om Shanti Om don't. That's not a point of contention however, I knew what to expect when I walked into the cinema this morning. Let's get on with the review now..shall we?
Om Prakash Makheeja(SRK) is a 70s junior artist who’s insanely in love with Shanti Priya(Deepika Padukone), who is in love with the badman Mukesh Mehra(ArjunRampal). Things go wrong, and both OM and Shanti end up dead! But….picture abhi baaki hai mere dost.

The first half with the 70s backdrop is as much a visual treat as it is a laugh riot. Yes, I’m not exaggerating here; the first hour of the film has some of the most massy and funny sequences Indian cinema has ever seen. The Dreamy Girl premiere, the whole Manoj Kumar spoof and Rajesh Kapoor(Khanna) and pregnant wife(Dimple) interview are supremely hilarious. The Rajnikanth spoof will have you holding on to your stomach, just in case anything pops out. The Dhoom Tana song where Shanti dances with Sunil Dutt, Rajesh Khanna and Jeetendra a la Forrest Gump is absolutely splendid. The special effects department should be lauded for this feat.The village shoot where Om and Pappu(Shreyas Talpade) are playing dacoits is again a rib tickler. In between all these moments of laughter and entertainment(which is the whole point of OSO anyway) is a friendship brewing between Om and Shanti. Their rendezvous’ are handled beautifully and Deepika looks quite charming, and if I might add, stunning. The whole set burning sequence which results in the deaths of both OM and Shanti is grandeur at its best. Among the typical Bollywood masala entertainers, this is definitely one of the most entertaining, funny and involving first halves ever.

30 years later….Take TWO!, the second half dips and dips and keeps dipping for several minutes till we have a jug full of bitter Lipton Tiger in our mouth. Om Prakash Makheeja is reborn as Om Kapoor, the son of yesteryear superstar Rajesh Kapoor. Dard-e-disco though choreographed beautifully and quite catchy semed just out of place, I dunno why it had to be there. Om Kapoor keeps hearing voices and seeing flashes from his past life. His mother(Kiron Kher) in his first life keeps chasing his car with the everlasting ‘beta ruk ja’ line. The visions, the voices..anything just doesn’t make any emotional impact. When Om is shooting for superhero film Mohabbat Man(which was a very funny sequence again) he accidentally walks into the room which used to be Shanti’s dressing room. Again come the flashes, the voices and the faces too; all this while, I was hoping this just gets over!!! Give me some more entertainment. This isn’t good for Farah Khan, if she ever wants to be a good storyteller. Farah does oblige to our requests intermittently though; with the earth shakingly hilarious Filmfare Awards sequence and the star studded Deewangi Deewangi. Anyway, Mukesh Mehra is back again, this time as Mike or Mik-ee as he wishes to be addressed. Om of course recognizes his murderer, goes back to his mother and Pappu, gets lucky enough! to find a Shanti look alike,Sandy(Sandhya) and is determined to bring Mukesh Mehra to justice(wow!..now that’s what you call absitively posilutely seriously mindless). Om devises a plan which involves the help of all his actor friends and family to bring Mukesh Mehra to justice at the same place he murdered his beloved Shanti. Surprises, shrieking old ladies, staged bhoot incidents, tampered film reels et al make Mukesh Mehra fall into the trap and justice is finally delivered in Madhumati ishtyle! climax which is immaculately shot and is truly a grand spectacle. The second half could’ve been crisper though; some serious editing flaws in there. The whole Om/Mukesh restaurant sequence, the Om/Sandy rooftop sequence are just plain boring. The dialogues are grossly overwritten, too much blah blah for no rhyme or reason. All in all, quite a disapoointing second half with the exception of the far and few in between funny moments, and the climax, which is very well done indeed.

Coming on to the performances—Shreyas Talpade as Om’s sidekick is funny, loveable and extremely confident…two big Thumbs Up to him. Kiron Kher excels in what she’s supposed to do, i.e. play the loud, melodramatic Bollywood maa. Deepika Padukone looks gorgeous, and her performance is not bad for a first timer. I have my doubts about the voice though, I still think it’s dubbed. Arjun Rampal is plainly stupid in some scenes and plainly terrific in others. I still don’t know how to rate him here. I’ll go with a ‘decent’ at best. And now to SRK—the man hams like he never has! But wait a min, that doesn’t mean what you think it does. The truth about OSO, as a matter of fact is…it’s a one man job. It is SRK’s film; he’s the spine, the heart, the soul, the joy, the laughter and the emotion(whatever little this film has) of the film. He’s a revelation in the first half specially—playing to the gallery comedy has never been his forte, but he’s just marvellous here. Some of the hamming in second half is quite annoying though, specially in the confrontation scenes. He hams, he overacts, he makes silly faces, he ridicules himself, he ridicules others and still manages to bring the film several notches above what it deserves.

So that was OSO for you. No, it’s not the mother of all masala entertainers as some of our esteemed critics seem to think. What it is though, is 2 and a half hours well spent with your family and children. A first half full of laughter and energy, a scond half which gets quite boring at times, annoying at times, fun at times resulting in a wonderfully crafted climax. Am I disappointed? Yes…still worth a watch though.

Rating: ***